PRAISE for FEAR ICONS

“How to describe the form of these alert and grieving essays about contemporary America? Instead of paragraphs or sections, let’s call these exquisite prose enclosures ‘chambers,’ named for the ‘ventricles of our heart,’ and ‘the bedroom where bodies rest and are made and sometimes die....’ but also ‘the part of the gun that holds the charge and the many rooms where regulations are made.’ In her beautiful, bereaved debut, Fear Icons, Kisha Schlegel’s chambers make an ‘intimate venue’ for tremendous outrage, where private whispers ricochet, redirect, and echolocate mournfully to publically address ‘the sadness of the country I come from....’  Since that country is America, picture an iconic ranch whose one operation is to break something wild; here, pushed violently up against a wooden fence by a wild horse (see her breathtaking essay “Centaur,” for the whole story), Schlegel’s chamber music is played, pinned against a gate that won’t open, in confusion and fear, for an audience of zero. Which is to say: Fear Icons is a book of prayers. It’s the first book of prayers of the 21st century that makes any sense to me.” —Robyn Schiff, author of A Woman of Property (2016), Revolver (2008), and Worth (2002).

 

"I feel as if I am walking around in new skin—aware, vigilant, alive in a way that I was not before I read Fear Icons. Startlingly original, imaginative as well as deeply researched, this essay collection simultaneously stuns and soothes. The writing is mesmerizing and incandescent, each sentence offering a way forward, not in spite of fear, but because of it.” —Inara Verzemnieks, Rona Jaffe Award Winner, Pulitzer Prize Finalist, and author of Among the Living and the Dead